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“Oh, please, mister, sir, don’t hurt Bouncer. I’d rather you’d hit me. He’s the best dog ever lived, and I won’t let you hurt him.” Her courage grew as she spoke, and he stopped his search and glanced her way. She looked up, bravely pleading for the dog she hugged harder. “Flash has cake, Sir Thomas cheese,” Edith explained, giving each his coveted bit. They took the morsels from her fingers, ate them delicately, and mewed once. “That’s ‘Thank you,’” Edith interpreted. Although she was asleep, Betty was fully conscious in that Dream-World of love and joy where values are real. Nell and Howard saw a tender smile light up her sweet face as Mrs. Wopp’s singing, subdued by distance, floated into the room,.

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“Hello, Billy To-morrow! Why didn’t you do that mowing last night? You said you were going to.” He dismounted, tied the pony to the post, and went inside; and one saw that in spite of jeers the boys were friends. The pianist walked on the stage as the eyes of Mrs. Wopp and Moses rested on Betty. Howard Eliot had not taken his gaze from Nell Gordon expecting momentarily to catch her glance and to be rewarded by a smile. A smile radiated her fair face, but alas! It was not for him. “No worse ’n you, I reckon,” was the rueful response. Billy’s appearance justified Jimmy’s speech; for freckles were standing out large and ghastly from one or two very white spots on the younger boy’s battered face. “Can you get home alone?” This conversation took place in Billy’s shop, a room adjoining the wood-house and given over to his use. Nothing short of the world in the second verse of Genesis was equal to the chaos of that place. Every conceivable scrap and job lot of “truck” was there in a jumbled heap; and Billy was never happier than when mussing it over in search of “material”; in greasy overalls and crownless hat, whistling merrily, bringing forth to substance and form the inventions of his busy brain..